This week, Marshall Pynkoski and Jeannette Lajeunesse Zingg, co-founders of Toronto's Opera Atelier, will be at Penn State University, leading master classes on Baroque operatic technique. A few weeks ...

Few Baroque operas (and all by Handel) have clawed their way from oblivion to the margins of the standard repertoire, a source of chagrin to anyone who loves the period or simply hungers for broader ...

Opera is a vocally-driven performing art. But this past Tuesday, Ellen Hargis—a “Baroque-music diva” according to The New Yorker—proved that sleight of hand can improve even the most skilled voices.

Getting your Trinity Audio player ready... As they have for decades, 19th-century warhorses like “La Bohème” and “Carmen” still dominate opera- house marquees. But just as today’s diners are ...

It was during the Paul Kellogg era of the nineties and the aughts that New York City Opera became a force for Baroque opera—specifically works by Handel, which, with their historical-mythical plots ...

The Yale Baroque Opera Project (YBOP) will present a fully staged production of the 17th-century Italian opera “La finta pazza” (“the make-believe madwoman”) by Francesco Sacrati (1605–1650) in two ...

San Diego Opera won’t be announcing its next season until May, but two of the city’s smaller companies — Opera Neo and newly formed Opera a la Carte San Diego — have unveiled their upcoming plans, and ...