“Border Crossings: Exile and American Modern Dance 1900-1955” opens at the Art, Design & Architecture Museum and dance performances by the Jose Limón Dance Company, Santa Barbara Dance Theater and ...
The Ariel Rivka Dance Company’s spring season draws upon the experiences of its all-female dancers. (New York Jewish Week) — In June 2021, at the end of last year’s dance season, choreographer Ariel ...
Performances in N.Y.C. The choreographer took a barefoot leap for modern dance 100 years ago. Her influence continues to reverberate. Credit...George Platt Lynes/Jerome Robbins Dance Division, via The ...
Performances in N.Y.C. Advertisement Supported by An oral history project, “Planting Seeds,” considers the history and impact of an American Dance Festival program to train dancers in China. By Brian ...
In 1929 an American critic, Henry McBride, observed that “the centre of the world has shifted” from Paris to New York. America did not just have cultural capital—it was becoming the West’s cultural ...
Through movement, Carmen de Lavallade shifted culture. Her decades of work were a proclamation that Black women were not guests in the world of modern dance — they were architects. The legendary ...
Dancer, choreographer and dance educator Shirley Mordine has died. Her five-decade career in Chicago included founding the dance department at Columbia College Chicago and originating the college’s ...
“Border Crossings: Exile and American Modern Dance 1900-1955” opens at the Art, Design & Architecture Museum and dance performances by the Jose Limón Dance Company, Santa Barbara Dance Theater and ...
The experience of exile, whether literal or symbolic, is inevitably reflected in an individual’s body. Feeling cut off from one’s roots, or viewing yourself as a stranger in a foreign land, influences ...
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